Pierre Bourdieu
Photography: A Middle-Brow Art.
Stanford University Press, 1990. First edition. 0804717605 ix/218 pages. 
Volume, measuring approximately 6.25" x 9.5", is bound in black cloth, with stamped silver lettering to spine. Book is like new. Dust jacket shows very light shelfwear. Jacket is preserved in mylar cover.
"The everyday practice of photography by millions of amateur photographers may seem to be a spontaneous and highly personal activity. But France's leading sociologist and cultural theorist Pierre Bourdieu and his research associates show that few cultural activities are more structural and systematic than photography.
This perspective and wide-ranging analysis of the practice of photography reveals the logic implicit in this cultural field. For some social groups, photography is primarily a means of preserving the present and reproducing moments of collective celebration, whereas for other groups it is the occasion of an aesthetic judgment in which photographs are endowed with the dignity of works of art. Bourdieu and his associates examine the socially differentiated forms of photographic practice by drawing on the results of surveys and interviews and by analizing the attitudes and characteristics of both amateur and professional photographers.
"Photography," first published in 1965, provides an excellent opportunity to observe key parts of Bourdieu's theories at a formative stage. Ideas that will become central to his thought -- the habitus, the structuring of taste by class position, people's use of taste to distinguish themselves from the classes to which they are adjacent, and the internalization of objective probabilities -- make an early appearance here. Along with Bourdieu's "THe Love of Art,"...it is the first study to integrate survey research and anthropological observation in a manner for which Bourdieu has become justly renowned."