Priscilla Layne, Kira Thurman Special Issue on Black German Studies (The German Quarterly) American Association of Teachers of German, 2022. Volume 95, Number 4, Fall 2022. iv/359-480 pages. Softcover volume, measuring approximately 6" x 9", is like new. Content: "Black German Poetic Ecologies: Joy and Diasporic Homecoming in Megaloh's "Oyoyo" and Leila Akinyi's "Oyoyo//Nyumbani" by Adrienne Merritt; Black Elegy on Stage: Mourning Ancestors in Olumide Popoola's "Also by Mail" (2013) and Jackie Sibblies Drury's "We Are Proud in Present" (2014) by Jamele Watkins. Forum: On Black Studies: "The Future of Black German Studies Cannot Be within Academia Alone" by Fatima El-Tayeb; "Literaturgeschichte storen: BPoC Literatur in Deutschlandrelational lessen" by Jeanette Oholi; "The Cartographic" by Alicia Ellis; "Was bedeutet es, eine schwarze Deutschlehrerin zu sein" by Susan Feiler; "Dismantling the Master's Tools: Notes from a BIPoC Adjunct Faculty" by Maria S. Grewe; "Disability Studies and Black German Studies" by Andrea Bryant; "On Remembering Hanau and Being an Emotional Academic" by Meryem Choukri; "At the Expense of Black Humanity: Being an Emotional Academic" by Obenewaa Oduro-Opuni; "African Voices in German Colonial Sources" by Sara Pugach; "Black Reels Film Festival" by Karina Griffith; "Label Noir's "Heimat, bittersuesse Heimat": A Transgressive and Transformative Text" by Vanessa Plumly; "Telling All the Stories" by Vance Byrd; "May Ayim's "Wake Work"" by Tiffany N. Florvil.