Aleksandr Solzhenitsyn
The Gulag Archipelago, 1918-1956: An Experiment in Literary Experiment III-IV.
Harper & Row, Publishers, 1975. BOMC. Translation by Thomas P. Whitney. 0060139110 vi/712 pages.
Volume, measuring approximately 6" x 8.5", is bound in black cloth, with stamped gilt lettering to spine. Book club mark is impressed into bottom corner of rear board near spine edge. Book displays very light shelfwear, with firm binding, clean and bright interior. Dust jacket displays minor tear with creasing in lower inside corner of front panel; crease also appears in the upper outside corner of the same. Small closed tears appear on edge of rear panel. Jacket is preserved in mylar cover. 
"What more can be said about the dread apparatus of Soviet repression than was said in the first volume of "The Gulag Archipelago"? There is, in truth, much, much more. "Gulag One" involved us in the innocent victim's arrest and preliminary detention and the stages by which he is transferred across the breadth of the Soviet Union to his ultimate destination: the hard-labor camp. It was at the threshold of the camp that "Gulag One" left us, and it is the experience of camp that constitutes the substance of "Gulag Two".
Camps for hard labor were not a Soviet invention, but in Tsarist times their function was simply punitive. Only under the Soviets - and especially under Stalin - were the camps (christened "Constructive Labor Camps") assigned a crucial role in the economy of the whole state. The first four-fifths of this new volume cover what the author calls the "Destructive-Labor Camps" and the fate of the prisoners in them, felling timber, building canals and railroads, mining gold, without equipment or adequate food or clothing, and subject always to the caprices of the camp authorities. Most tragic of all is the life of the women prisoners...and of the luckless children they bear.
Once again, this chronicle of appalling inhumanity is made endurable by the vitality and emotional range of the writing. In one truly remarkable chapter - a parody of an anthropological treatise, in which the author describes the "sons of "Gulag"", their language and "culture" as though they constituted an exotic, newly discovered tribe - he achieves new heights of sardonic wit. And in the final section, "The Soul and Barbed Wire," the music changes and he provides a magnificent coda on the possibilities of redemption and purification through suffering.
Previewing this new volume, Time magazine wrote: ""Gulag Two" may well be Solzhenitsyn's most stunning achievement to date."